Archive for the ‘San Diego Tastes’ Category

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Tuesday, February 2nd, 2010

IMGP3944I was startled the other day by the new look at the Sculpture Court Cafe adjoining the San Diego Museum of Art and its sculpture garden. It’s been my favorite place to eat in Balboa Park since it was the Waters Cafe, and when Guiseppe Ciuffa took over the operation last summer, that only made me like it more.  Ciuffa, who was born outside of Rome, also is the chef at the Museum Cafe at the Museum of Contemporary Art in La Jolla, and he owns a catering company than I’ve used for San Diego Insider Tours.  The fare at the cafe in the park is fresh and beautifully delivered. (Among some of the more interesting items on the menu: a yummy Tuscan cannellini bean and black cabbage soup, a cured salumi board, roasted portobello pizza, and an “ultimate” grilled cheese sandwich made from San Daniele prosciutto, mozzarella, tomatoes, and basil pesto on sourdough bread.) Prices are reasonable, you can always get in, and it’s usually pleasant to gaze out  the sculpture collection from the protected space of the covered courtyard.

Except… the cloth roof is missing at the moment.  That gives the courtyard a whole different (sunnier and more open) look. The change was unintentional, I learned when I asked the fellow manning the front desk at the entrance. Apparently those savage rainstorms the week before last dealt a fatal blow to the fabric and it had to be taken down. But the roofless state created insurance problems of some sort, I was told, so for the moment, the cafe is serving only food prepared offsite.

Happily, the attendant assured me the new material should be installed within the next two to three weeks — at which point the kitchen will return to normal operations.  That’s a relief to anyone looking for an idyllic spot to rest and refuel in the park.

 
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The courtyard, pre-tempest

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The current topless state

 

 

Eurofind

Wednesday, January 27th, 2010

P1010040Last Friday I had a chance to visit the Eurofood Depot, which I learned about a few weeks ago from Caron Golden’s blog. I’m a sucker for this sort of find: the gem tucked away in a most unlikely location, in this case a sterile stretch of Lusk Boulevard (a few blocks north of Mira Mesa Boulevard) that you’d expect to be inhabited only by geekish gnomes surviving on Diet Coke and junk food.  You have to call or get on an e-mail list to find out when the Depot’s “showroom” will be open to the public.

The showroom is located in the back of the building, where giant metal garage doors were opened to admit the air and light on the morning of my visit . That felt like a San Diego touch. But the rest of the place transported me to France. A long glass display case P1010035was crammed with tempting cheeses, sausages, mousses, smoked meats, and pates. Pretty free-standing shelves, some topped with bright Provencal table linens, showed off more of the bounty: hazelnut, walnut,and grapeseed oils; dried mushrooms; exotic mustards (blackcurrant Dijon!); duckfat; Costco-sized jars of cornichons; flageolets; couscous; Swiss and Belgian chocolate, and more. Both the owners, Fabien Faucheux and Franck Danglard, were on-hand, welcoming and energetic. Fabien, a food-industry veteran, seemed proud of the fact that all his offerings were priced well below what they cost at Whole Foods (if Whole Foods even carries them).  I had the sense that offering the retail hours (if limited ones) was something of a gift to the local foodie community, as the plan is for the main thrust of the business to develop online.

The Eurofood Depot website, though still under construction, already lists close to 300 products. It’s also a good place to sign up for the e-mail notices of when the showroom will be open. For this week, at least, those hours will be Friday from 11:30 a.m. to 6 p.m.

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Golden information

Thursday, January 7th, 2010

s blog headerI have mixed feelings about Caron Golden’s blog, San Diego Foodstuff (www.sandiegofoodstuff.com). I’ve long been a fan of Golden’s writing in the Union-Tribune’s food section and in Edible San Diego magazine. She’s also a food columnist for the San Diego News Network website, where her article about Latin American food markets caught my eye this morning. A link there led me to her blog, of which I previously was unaware. The excessive amount of time I spent today reading back through her posts caused my emotional turmoil: dismay that I’ve missed so much by not reading it since its inception almost three years ago, but elation at finding it now.

For the most part, Golden isn’t reviewing restaurants, but rather reporting on interesting food sources she’s unearthed — ethnic markets, specialty shops, farmer’s markets. I now literally have a list of places on my desk I’m now eager to explore, after reading through less than a year of posts: the stall at the Little Italy Mercato selling exotically flavored gourmet popcorn, the new wholesaler of high-end French cheeses and other products, the extraordinary vendor of teas and tea-making knowledge in South Park, the Kearny Mesa South African deli and grocer, and more.  So much food, so little time! .

And oh yes, reading the posts also made me hungry. The good news: I now have so many new ways to solve that problem. The bad: that I already had so many ways to do so that I’m eating as little as possible, to shed 10 pounds.

First American Margarita?

Friday, December 11th, 2009

MargaritaCould the first American version of the margarita truly have been served on the current site of La Jolla United Methodist Church? That’s the story recounted on the wall of the newly inaugurated Bird Rock History Museum (located within the Bird Rock Coffee Roasters facility at 5627 La Jolla Boulevard).

The brief account cites a 2006 article in the Pittsburgh Post-Gazette as one source for the claim, but a little online sleuthing reveals that the Post-Gazette account appeared just days after a lengthy obituary for 91-year-old “margarita pioneer” Albert Hernandez Sr. was published  in the San Diego Union-Tribune.  As obit writer Jack Williams told the story, Hernandez in 1947 had been working as a bartender at the La Plaza restaurant, which occupied a mission-style building on La Jolla Boulevard. (Originally used as a station on the trolley line connecting downtown San Diego with La Jolla, the building later housed the restaurant and an arts and crafts school, then in 1953 became the home of the church that occupies the much-expanded complex today.)

According to the obituary, Hernandez’s boss in 1947 spent a lot of time in Mexico and told his bartender about a drink being served in Rancho La Gloria, “midway on the old road that connected Tijuana with Rosarito Beach.” Supposedly the bartender there, one Carlos “Danny” Herrera, had concocted a drink for an actress named Marjorie King, who claimed to be allergic to all hard liquor except for tequila. In her honor, he named it the margarita.

Hernandez then began trying  to reproduce the drink, as his boss recalled it, and eventually settled on a formula of 1 ounce of Jose Cuervo Gold tequila, a half-ounce of Cointreau, and an ounce of fresh lime juice. Originally mixed with crushed ice, he later began processing the ingredients in a blender. In a 1986 interview, Hernandez credited the restaurant owner with coming up with the idea of dipping the glass rim in salt, adding that by the mid-1950s, every bar in San Diego was serving some variation on this theme.

Alternative claims for the margarita’s origins do exist, but enough of them include a connection to Herrera or at least Baja that I find it at least possible that the drink’s US incarnation did first take shape at the La Jolla location.Bird Rock Museum.jpg

Although it’s a bit of a stretch to call the new historical repository a “museum” (it consists of a number of large posters that have been mounted on the southern interior wall of the coffeehouse), it includes many other interesting tidbits, particularly for Bird Rock residents. Particularly charming is the chronicle of the white-washed stones that once announced the name of the community on one of the local hillsides. The only problem is that it can be impossible to read the posters, if patrons are sitting at the tables next to them.  But that’s also an incentive to come back.

Not Quite Secret Seafood?

Friday, November 6th, 2009

catalina signIt’s not accurate to call Catalina Offshore Products a secret.  The local seafood purveyor has been in business for more than 25 years, and during that time it’s grown to be one of the largest seafood import and export companies in California. Still, for many reasons, it feels like a hidden gem.  First there’s its location – tucked away in the industrial enclave west of Morena Boulevard, near the southern end.  You’d never find it unless you were trying.  Indeed wholesalers and restaurants make up the bulk of Catalina’s customers. Walk in the front doors, and there’s no sign of any retail operation. It feels like you’ve intruded upon an office (albeit one scented with the briny aroma of fresh fish.) But if Catalina doesn’t cater to retail consumers, it does sell to them. Put on a gauzy hairnet, and an employee will lead you back through hallways and other offices, into the bustling warehouse.

Here too there Wes and Howard at Catalinaare no glass-fronted display cases. Instead your guide might take you into one of the coolers or lead you to chilled bins to show you what’s fresh. When I did this yesterday with a few friends who’d never been there before, we were shown glistening piles of grouper in 2 basics sizes — huge and substantial. We asked for a couple of the latter and were also tempted by the sushi-grade yellowtail, which tasted fresh and buttery when we sliced it into sashimi several hours later. We also swooned over the sea urchin roe (uni), which is Catalina’s biggest product. Company founder Dave Rudie started as a local urchin diver back in the late 1970s, and in the early days he sold the orange delicacy to the Tsukiji Fish Market in Tokyo. Today San Diego sushi restaurants consume most of the product, which is famous for its taste and quality.

I’ve visited the Tsukiji Market twice, and it makes me a little sad that we have nothing like it in the U.S. On the other hand, I realize that a staggering profusion of maritime bounty comes at a high environmental cost. In contrast, the team at Catalina has long been committed to sustainable practices. And if the choices are much more limited than what you see at Tsukiji, the simple facilities and freshness of thfront doore products makes them feel like kindred operations. If there’s a better source for San Diego seafood, I’m not aware of it. 

Although most of its products come from fishermen in San Diego and Baja California, Catalina also offers frozen items from farther afield.  One way to get an idea what’s available is from the website: http://www.catalinaop.com.  Another is just to walk in; the address is 5202 Lovelock Street. Walk-in hours are from 9 a.m. to 2 p.m. Monday through Friday and 9 a.m. to noon Saturdays.

Edible Again

Tuesday, October 27th, 2009

Edible SDs editedThe first issue of Edible San Diego appeared in local farmers’ markets in the spring of 2008. As soon as I saw a copy, I subscribed, and the issues that arrived in my mailbox every few months never disappointed me. From them I learned about the La Jolla butcher shop selling beef raised on Palomar Mountain, I discovered where to buy locally harvested sea urchin roe, and I read how Curtis Womach had begun raising grass-fed chickens in Julian, among other things.

But in the Summer 2009 issue there was bad news too: an announcement that it would be the last one published by the existing owners.  A visit to the website revealed that a new publisher was being sought.

Happily one has now stepped up to the plate, though when I caught Riley Davenport on the phone, she sounded a bit startled that it was her. “I kind of went in on a wish and a prayer,” she said. A native San Diegan who grew up in Point Loma and still lives there, she’d been interested in healthy food “forever,” she told me. And she’d devoured Michael Pollan’s locavore masterpiece, The Omnivore’s Dilemma. But she’d never been immersed in the San Diego food community and wasn’t even aware that Edible San Diego existed until she and her daughter chanced upon it at the Sea Rocket Bistro this past June.  She read that issue with growing excitement — only to be “crushed” when she came upon the note about the magazine’s  imminent end.

Almost immediately, Davenport and her husband John Vawter, began talking about taking over the publishing role. Although Vawter is an immigration attorney, Davenport had worked as graphic designer for two dozen years, and she was feeling ready for a career shift. The couple talked to Jeff and Mary Willis, the Fallbrook-based retired Marine lieutenant colonels who had started the San Diego offering as part of the Edible Communities network of local food publications. Davenport says the Willises still seemed committed to the cause of local food, but both had received offers of consulting contracts for the Marines, and other family commitments were also demanding their attention. Davenport was still pondering the decision when she got a call informing her that another potential buyer had materialized. Rather than lose the opportunity, she says she borrowed some money from her parents and took the plunge. (She bought the publishing rights from Edible Communities, which then reimbursed the Willises.)

Now “we’re scurrying and scuttling to try to make this work,” Davenport declared. While Vawter will continue his legal practice, Davenport quit her graphic-design job and plans initially to continue Edible San Diego’s quarterly publication schedule. If she sells enough advertising, she’ll put out her first issue in January, but if not it will be in March, with free distribution planned not only for local farmer’s markets but also for other outlets such as hotels, coffee shops, and libraries. (It costs $32 to get a year’s worth of issues in the mail.)

Davenport eventually hopes to expand the magazine, and she’s got plenty of ideas for articles.  (For one thing, she’ll be receiving copies of the Edible publications in more than 60 other communities as part of her involvement with Edible Communities.) She says friends have questioned why she would get involved with magazine publishing at a time with print appears to be dying. But she rejects that notion.  “I think certain kinds of print are doing well…. People want things that pertain to them and are about their community. We’ve been out of touch with our communities, and we’re hungry for that. So this type of publication is actually growing.”

 

Beer Boulevard

Monday, October 12th, 2009
Toronado menu edited

Draft beer choices at Toronado

 

 

 

 

 

 

 

 

 

I mis-tweeted.  It was actually the Men’s Journal (October 5) that crowed about 30th Street being “easily the nation’s best beer boulevard,” not Food & Wine. (Food & Wine did its gushing about San Diego’s beer scene in June.) Still the latest publicity inspired me and a couple of friends to stop merely talking about doing a 30th Street pub crawl and actually do it this past Saturday night. What we learned:

Hamiltons facade edited

Hamilton's

– that Hamilton’s and Toronado are NOT overrated as temples of the brewing arts. When we arrived at Toronado (4026 30th) shortly before 7, it was jammed with a noisy, young, and happy-looking crowd, some reverently studying the menu of more than 50 beers on tap. The offshoot of a San Francisco enterprise of the same name, Toronado opened less than a year and a half ago.  In contrast, Hamilton’s (1531 30th) claims to rank among the oldest bars in the city. (Once known as Sparky’s, it was reincarnated into its present form about three years ago and named in honor of the African-American neighbor who was long refused admission because of his skin color.) As at Toronado, the choice of beers on tap was head-spinning. The jukebox, pool tables, shuffleboard (!), and interesting menu added to the merriment.

– that it’s a stretch to talk about pub-crawling, Hamilton’s, and Toronado in the same breath.  Hamilton’s is so far south it’s almost Golden Hill. As you walk north on 30th, you pass through blocks and blocks that are purely residential. 

Only at Upas Street does 30th begin to have a more urban vibe.  Mind you, it’s nothing like the Gaslamp, but the mile and a half between Upas and Adams Avenue includes a number of establishments boasting provocative beer offerings (Toronado among them). Peter Rowe in the Union compiled a nice rundown on them (”Hops Spots“) in the Union-Tribune in July of 2008.

My friends and I also spent some time at the Linkery, where we drank more beer and tucked into some of the self-consciously local provender for which the Linkery is famous. I know some folks complain about the mandatory 18% service charge and slow service, but our waitress was quick and pleasant, and our sausages and eggplant lasagna and lamb were all tasty. 

Cupping

Friday, August 14th, 2009
  

cupFor people who work in the coffee trade, evaluating the quality of any given bean is a lot more complicated than simply brewing up a pot and taking a sip. To evaluate a given coffee’s flavor and aroma, pros engage in “cupping,” a ritual that’s a lot more akin to an oenophilic wine-tasting than it is to the standard American coffee klatsch. Now one local coffee master is sharing the cupping experience with the public.

This morning, I experienced a session at Bird Rock Coffee Roasters, the community hot spot about which I’ve written before. Five of us assembled before owner Chuck Patton in a room equipped with a table set up with 3 small glasses for each participant. In the center of the table, 3 trays contained 3 types of roasted coffee. All were Arabica-class beans, one a rare and expensive “Geisha” varietal from Panama, one from Kenya, and the third from the Malabar coast of India. Patton ground up some of each and placed a heaping scoop in each of our 3 cups. We should try to keep them in order, he instructed.

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Chuck Patton, conducting cupping session

In order to calculate a cupping score (ranging from 0 to 100) for each coffee they evaluate, Patton and his staff fill out a complex form with sections for judging both the dry and wet fragrance, the acidity and brightness, body and mouthfeel, flavor and depth, and finish/aftertaste. My group didn’t write down actual scores, but we learned the basics. First we brought our noses up to each glass of dry grounds, deeply inhaling the aromatic contents. Then Patton poured hot water, in which we allowed the grounds to steep for about 4 minutes. Then we bent over the glasses and used a spoon to break the little crust of grounds floating on top of each, releasing rich caches of more delicious scents. Finally, we brought a spoonful of each type of coffee to our mouths and slurped it noisily, then covered our tongues with it in an attempt to experience the full range of flavors. The differences between the 3 were startling, ranging from the clean, acidic, fruity flavors of the Panamanian, to tomato-soup tones in the Ethiopian, to the funky flavors of the Indian brew (whose aging is enhanced by the salty sprays of the Indian monsoon.)

After the cupping session, Patton led us to a room piled with burlap sacks from around the globe. He and his staff currently roast about 1100 or 1200 pounds of beans every week, a sophisticated process requiring decisions about not only the best temperature and roasting time for each type of beans, but also the speed at which the temperature is reached, and the adjustments necessary to compensate for shifting environmental factors like the weather and humidity. Patton’s a partisan of roasting less than many of his competitors because he thinks excess roasting can obscure the beans’ interesting varietal characteristics. I was also surprised to learn that the lighter the roast, the higher the caffeine content.

Since its inception in 2002, Bird Rock Coffee has made a big deal of its commitment to organic farming and fair-trade practices for growers. So I was interested to hear that Patton has been moving beyond the simple but comfortable “fair trade” rubric to concentrate more on trading directly Unroasted beanswith individual farmers, to help them earn much more than they would within a local co-op. Patton also has begun to work on serving another basic human need in the growing communities he patronizes, bringing ni simple water-filtration systems.

For the San Diego community, he’s currently offering the cupping sessions every Friday at 10:30 a.m. Although they’re free, the space is small, so it’s best to call ahead (858/551-1707) to make a reservation.

Tasty

Tuesday, July 14th, 2009
Beer and chocolate

Beer and chocolate

It’s not often that I find myself wishing I lived in Escondido. It’s a nice enough town, just a little too warm and far from the ocean for my taste. But the folks at Stone Brewing almost make me forget that (particularly after I’ve had a glass or two of one of their intensely flavored beers.)

More than even the beer, what I appreciate is how the crew at Stone has transformed a not terribly interesting part of Escondido into a lively social and cultural center.  The beautifully designed bistro and gardens are part of the draw, but there’s also so much imagination and creativity evident in the line-up of events. Steve and I (and almost 50 other people) took part in a Beer and Chocolate class last weekend at which we tasted 7 chocolates made by Chuao, the daring San Diego-based Venezuelan “fusion-chocolatiers.” These were paired with 6 Stone brews selected to bring out the best qualities in each. We found it a remarkably congenial and delicious experience, with Chuao’s salt-butter caramel Melao bonbon and Stone’s Pale Ale  capturing my heart.  (Or was it the caramel-fudge, chipotle chile, salt, and popping candy Firecracker and the Bitter Chocolate Oatmeal Stout? Or that lemon tequila dark chocolate ganache Cinco de Mayo, downed with the Stone IPA?)

The “beer and sushi” clplateful-editedass taking place tonight is sold out, but there are plenty more intriguing food events coming up: a sour beer festival next Sunday (July 19), beer and cheeses on the 25th, a dinner celebrating fresh local cuisine August 3.  Non-gustatory events sound equally intriguing.  Every Wednesday night, Stone screens a movie in the gardens, and on July 23rd, Will Wheaton (the former Ensign Wesley Crusher on Star Trek: The Next Generation and current author, blogger, and Twitterer) will do a reading. And if the Call of the Chocolate sounds more loudly than anything else, there’ll be a repeat Sunday, August 16, this time featuring the offerings of Eclipse Chocolat.

 

 

 

Local Barley Juice

Monday, June 22nd, 2009
 

beerboard-croppedI’ve been aware of San Diego’s soaring stature among beer cognoscenti for several years. Since 1986 almost 2 dozen commercial brewers have begun making craft beers here, and their handiwork increasingly has been winning national and international awards and commanding attention in the media. An article in this month’s (June 2009) issue of Food and Wine, for example, calls the local beer scene “one of the most dynamic…in America and arguably the world,” adding that “no other place in the U.S. offers the diversity of styles, techniques and flavors that San Diego County does.”

Steve and I dabbled in home brewing back in the 90s, and while we eventually abandoned that hobby for lack of time and passion, we remain interested in beers with exceptional flavor. To glimpse what’s happening on the San Diego craft beer scene now, we went on a do-it-ourselves odyssey that filled in a lot of blanks. For anyone interested in following in our footsteps, here’s a thumbnail sketch of what we did.

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Tour of Stone Brewery

We started at Stone, the Escondido brewery and bistro that must rank as the most beautiful of all the county sudseries. To the best of my knowledge, Stone is currently the only local commercial brewery offering public tours. That may soon change, given Karl Strauss’s recent relocation of its beer-bottling operations to San Diego. (Although Karl Strauss is the oldest surviving San Diego microbrewery and its chain of local brew pubs have always produced kegs here, six-packs have been brewed and bottled back in Wisconsin.) The Karl Strauss website suggests that a brewery tour may be inaugurated soon, but it  hasn’t happened yet.

Stone, on the other hand, offers more than a dozen free public tours a week. About an hour long, they’re entertaining, educational, and deftly delivered. Better yet, at the conclusion tour-takers get substantial servings of 4 very different Stone products (ranging from a pale ale to a hefty porter). The only hitch is that the tours are limited to about 25 people, and passes are given out first-come, first-served.  While Stone recommends showing up up to 2 hours early, we arrived about 11 on a Saturday morning and bagged passes for the noon tour, the first of the day. In the interim, we strolled on a trail that wound past the facilities, but the bistro would have provided another pleasant way to pass the time.

After Stone, we fit in visits to the Lost Abbey in San Marcos, Vista’s Green Flash Brewing, and Alesmith and Ballast Point  Brewing (both off Miramar Road). We interrupted all the tasting with a quick stop at a San Marcos taco shop to absorb some of the alcohol (the only food available at any of the tastings was Stone’s glossy bistro and a communal bowl of pretzels at Ballast Point.) When we left Ballast Point, late in the afternoon, I still  had other potential destinations on my wish list, notably Lightning Brewery in Poway and Alpine Beer Company. But cramming them into one afternoon might have been not just exhausting but actively dangerous.

As it was, we’d been bombarded by flavors we’d never before associated with beer, not just smoky hops and intense hops and aggressive hops, but also tastes that included chocolate, fruit , coriander, caramel , brandy and more. The scene, too, was intriguing, particularly at the smaller breweries (such as the Lost Abbey, Alesmith, and Green Flash). All are located in industrial parks that look lifeless on a Saturday afternoon. You walk into what looks like a warehouse. But it smells like beer, and in an inner room, you find a throng of animated, convivial, mostly but not entirely young beer quaffers. It feels like you’ve penetrated some underground cabal. Or at least found a cheap date. (Although Stone offered the only free samples,  on-tap-croppedtastes elsewhere cost between 50 cents and $1.50.)

Why is this lively culture thriving in the land of terrible-tasting imported water? (The brewers have to strip it of all its unsavory elements and then re-introduce desirable minerals.) The Food and Wine article argues that all this bold creativity stems from San Diego’s lack of brewing history. With no traditions binding them, the local craftsmen have been able to take flight. A different explanation, offered in a 2006 Journal of San Diego History article, suggests that San Diego’s proximity to good Mexican beers like Tecate, Dos Equis, and others introduced local beer-drinkers to more interesting approaches to beer. When the dollar fell in the 1980s and imported beer costs sky-rocketed, those more educated tastes fostered the demand for something different created on US soil.