Archive for the ‘Kidstuff’ Category

100 Years of Positive Spin

Wednesday, May 27th, 2009

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We’re still a half-dozen years from the celebrations that will doubtless erupt in Balboa Park to mark the 100th anniversary of the 1915 Panama-California Exposition (the influential event that, among other things, made the park what it is today). But one institution within the park is fast approaching centenarian status: the classic wood carousel located at Zoo Place and Park Boulevard. It was built in 1910 by the Herschell-Spillman company in North Tonawanda, New York, and the current owners aren’t sure what month it was completed and shipped west (to an LA amusement center called Luna Park). But I figure if that happened in the spring, then this will be the 100th summer the old merry-go-round has been giving riders a mesmerizing whirl.

Like the carousel’s exact date of construction, the record of when it made its way south to San Diego has been lost. The 1915 Expo included a carousel, but that one may have been a Dentzel that was later moved to San Francisco. (The San Diego Union-Tribune’s critic-at-large, Welton Jones, reported in a 1993 article that he’d heard this from “the national carousel grapevine.”) Virginia Long, a long-time owner of the carousel, believed that an Englishman by the name of H.D. Simpson bought it from the Luna Park operators and operated it periodically both at Coronado’s Tent City and in Balboa Park during the mid- to late-19-teens and the beginning of the 1920s, according to Jones’ story.

I find it mind-boggling to imagine anyone back in those pre-18-wheeler days moving the carousel anywhere with any regularity. Unlike the merry-go-rounds designed for today’s county fairs, the local Herschell-Spillman was never intended to be portable. It’s what’s known as a “park” carousel – meant to occupy a space on a permanent basis.  By 1922, it had settled in near the site where the Reuben H. Fleet Science Center stands today. Most of its riders then were adults, passing the time while waiting for one of the trolleys that ran through the park back then, Bill Brown recently told me. In 1968, the merry-go-round moved to its current location where Brown oversees its operation in the decagonal building that looks “like a Bavarian farm building,” in the words of the current owners.

Brown isn’t one of them, though he has participated in a big chunk of the carousel’s history. A friendly fellow now in his early 50s, he first applied for a job there on his 16th birthday, and he still seems to enjoy working the mechanisms that bring the grand old contraption to life. He loosens a hand brake than slowly positions the clutch arm to match the speed of the central wheel.  This takes about 80 seconds. Then he flips a little 3-minute egg timer that the carousel’s operators have been using since the 1940s. Once the grains have run down, it takes another 45 seconds to apply the brake and stop the rotation — making the total ride a little more than six minutes long. “I think that’s relatively long for merry-go-rounds,” Brown told me.

The Balboa Park carousel stands out in other ways. It’s one of only a handful that’s been honored with a Historic Carousel Award by the National Carousel Association. The military band organ (similar to a player piano) near its center can still be coaxed into emitting jolly carousel music, though the antique music sheets read by the device tend to jam when the weather isn’t just right. (Music CDs do the job at other times.) The Balboa Park carousel is also one of only about a dozen carousels in the world that still tantalyzes riders with a brass ring. (Snatching it successfully earns the snatcher a free ride.)

Because of the advantage conferred by their height, the ride’s giraffes tend to be favored rose-horse-edited.jpgby clever children. “But the stork’s seat is pretty high too,” Brown confided. “A lot of people don’t notice that.” He told me that the “lead horse,” decorated with roses, has been a perennial favorite of little girls, while little boys often make a dash for the lion. But the on-board menagerie (which was hand-carved by European craftsmen who were paid $2 for a 10-hour workday) includes something for every taste: 12 jumping horses, 15 standing ones, a camel, 2 dogs and 2 cats, a dragon, 2 frogs, 2 giraffes, a goat, 2 mules, 2 ostriches, 2 pigs, 2 roosters, 1 tiger, 2 zebras, 3 chariots, and the stork and lion.

The merry-go-round is still on winter hours, operating from around 11 a.m. to 5:30 p.m. weekends. But the summer schedule will begin June 15 and continue till September 5. Rides cost $2 each or $10 will get you 6.  

 

Tweet Spot

Monday, November 24th, 2008

sign.jpgI can’t imagine many folks making a special trip to visit Tweet Street, the city’s new “bird park” located on Date Street between 6th and 10th avenues downtown. But this tiny, not-quite-secret garden is almost certain to elicit smiles from residents of Cortez Hill who frequent it and any outsiders who happen to stumble upon it.

What’s there to smile about? First and foremost, there are the 10 birdhouses created by local artists and erected on poles along the path that now meanders through what not long ago was a blighted freeway overlook. Designed to accommodate the neighborhood house finches, western bluebirds, oak titmice, bewick’s wrens, and robins, the bird shelters range from the whimsical to the comedic. Birds aren’t the only fauna singled out for attention. Several “dog stations” are equipped with brightly painted fake fire hydrants as well as plastic poop-clean-up bags. And human toddlers can play on equipment that still looked shiny and new when I visited more than eight months after the park’s dedication in March of 2008.

The romance of the place would be perfect if the magic of inspired volunteerism had made it materialize, but the reality is more bureaucratic. The Centre City Development Corporation reportedly spent $1.7 million in redevelopment tax monies over the course of eight years to make it happen. Graphic artists Candice and Rafael Lopez, prime movers behind downtown’s Urban Art Trail, supplied a lot of the artistic direction and inspiration.

dogstation.jpgBalboa Park’s very first plantings and buildings (including a home for wayward women, an orphan’s home, and a pesticide storage facility) once occupied this area, before the interstate freeways slashed through and isolated this thin shard from the main body of the park. Today the cars and trucks and buses on the freeway still rule supreme. But on Tweet Street, the people are communing with a tiny piece of nature again, and there’s some satisfaction in that.

Under the Sea

Monday, October 13th, 2008

map-overview-edited.jpgAnyone who enjoys the beach should love The Map, the depiction of La Jolla Underwater Park and Ecological Reserve unveiled September 12 at La Jolla Shores.

Created on a once-unlovely 2300-square-foot corner of Kellogg Park between the park’s south comfort station and the playground, The Map lets visitors understand at a glance the orientation of the remarkable offshore canyons. The proximity of those canyons to the shore is the reason why Black’s Beach receives some of the most epic surf  in California and why La Jolla Cove has been called The Sleeping Giant. When the swell direction is right, the canyon depths allow the waves to build to awesome heights.

The park is also home to a rich assembly of marine life, so The Map is studded with life-size chromatically accurate depictions of resident animals and invertebrates, each keyed with a number. The walls of the adjacent restrooms hold photographs identifying each of them. You could have a lot of fun with kids there searching for the cast bronze creature corresponding to each of the 62 photographs; artists Lynn Reeves and Rick Sparhawk designed the animal reliefs with the idea of paper rubbings in mind.

But this isn’t just a place for children. Different colored recycled glass in the Lithocrete base material helps to indicate the canyon’s various depths. Beachside landmarks are represented, as are underwater dive spots. Short of putting on a wetsuit and spending an awful lot of time breaching pressurized oxygen, there’s no better way of getting better acquainted with the world just offshore.fish-edited.jpg

 

Three Reasons to Take Your Bird-loving Friends to Freeflight, instead of the San Diego Zoo

Sunday, September 14th, 2008

blue-macaw-400-wide.jpg1) It’s cheaper. Freeflight isn’t in business to make money from tourists.  It’s a place where exotic bird owners can board their large and often noisy feathered friends. A sign asks visitors for a $5 donation.  The zoo’s current one-day admission price is running almost five times as much ($34).  

2) You get up close and personal with the inmates. Sure the Zoo has a couple of nice big aviaries.  But I’ve never had any bird there climb onto my wrist and engage in a virtual necking session, the way the Freeflight birds do.  Not all of them are friendly. Biters sit on perches in a seabigail-400-wide.jpgction segregated by ropes. But many parrots and macaws and cockatoos are extremely social creatures, who crave attention and even physical interaction with people.  That’s why Dr. Robert Stonebreaker, the veterinarian who owns Freeflight (as an adjunct to his Bird & Animal Hospital of Del Mar) decided to welcome the public. Having company makes the birds happier, he says. Some of the big vocal Freeflight birds nuzzle; others almost turn themselves upside-down to better position themselves for scratching.

3) Freeflight feels like a find; a place that only insiders know about.  Stonebreaker has created a tropical landscape on the property and staffed it with ladies who patiently answer questions (and supply birdseed for a dollar a scoop).  They advise that the best time to come is first thing in the morning, when the birds are eager for interaction, rather than burned out on it for the day. (Hours are 10 to 4:30 daily.)

Okay you can’t also see elephants and orangutans and tigers there, so it’s not a fair comparison. Still, Freeflight holds its own.freeflight-400-wide.jpg

Kid Culture

Monday, July 14th, 2008

childsplay-resized.jpgWith hundreds of children’s museums in the US alone and dozens more reportedly in the works, we felt some skepticism over whether the San Diego’s New Children’s Museum would justify its $29 million price tag.  Did America really need yet another place for hyperactive, “hands-on” mayhem? If you’re looking for things to do with children in San Diego, aren’t the Zoo and SeaWorld and Legoland and the beaches and the Reuben H. Fleet Science Center and all the rest enough?

Now that it’s open, however, the new museum has turned us into believers. Administrators say that more than 44,000 adults, teens, and children have already visited in the 10 weeks since the May 4th opening. The dazzling facility at Front Street and Island Avenue (directly across from the Convention Center) would be reason enough to go in and look around. Designed by San Diego’s Rob Wellington Quigley and billed as the city’s  largest “green” structure, it makes a persuasive case that great buildings don’t have to be energy gluttons. Among the conservationary touches: recycled materials have been used throughout, rooftop photovoltaic cells provide up to 50% of the energy needs, and the elevator acts as a heat ejector (making air conditioning unnecessary).

Kids often appreciate innovative spaces, but architecture alone rarely convinces parents to shell out for admissions ($10 per person, regardless of age, in this case.) Families go for the activities, which at all too many children’s museums are a mishmash of science exhibits, arts and craft projects, and all-purpose playrooms. Not so the new San Diego museum, which embraces art with a single-minded vision. But this is hardly the kind of art museum where grownups stand silently looking at objects hung on walls.

Nineteen artists created works for the new museum’s opening exhibition, called childsplay, and most of their creations are ones children can inhabit — in surprisingly entertaining ways. There’s a tagger-decorated gallery whose vibrant walls kidsmuseum-with-tires-250pxlwide.jpgare literally climbable, for instance. In another huge space, multiple projectors create a sense of swimming with dolphins.  A delicately beautiful area entices youngsters to don capes, mount a stage, and give improvisional performances, while the walls and floor of one of the most popular galleries protect participants as they goof around with more than 100 pillows shaped like life-sized tires.

Hands-on studios also let kids sample activities ranging from sculpting clay to painting the frame of a real-life VW body (the color of the paint changes daily), and thoughtful attention has been devoted to creating separate areas to engage toddlers and teens.

The museum currently plans to mount a new exhibition annually. If succeeding shows come anywhere close to matching this inaugural effort, that will be a powerful reason for both local San Diegans and visitors alike —  of all ages – to visit this museum at least once a year.